Kathak Videos of Indian
Classical Dance
Kathak Videos, Bharatnatyam
Videos, Yoga, Jazz, Mexican and Flamenco
This page is devoted to sample Kathak videos from our various
productions. These videos are divided into various categories
simply because we just don't teach Kathak. We try to expose our
students to various other forms of dancing including folk
dancing, western dancing and other classical dance forms such
as Bhartnatyam, Odissi and Mohiniattam. Please click in a
particular category to see the videos in that category.
Classical Kathak
Tarana Tarana is a vocal style in Indian
music that is usually sung in a fast tempo using
meaningless syllables such as na, ta, re, da, odani,
tanon, etc, sounds which have their roots in the Pakhawaj
drum and Kathak Dance repertoire. The emphasis here is on
producing rhythmic patterns using syllables. The resulting
music is very appealing and most suitable for Kathak. It
is perfect compliment for the intricate footwork of
Kathak.
Ganesh Vandana
"Ganesh Vandana" is a prayer in dance form to invoke supreme
Hindu God Lord Ganesh. Every performer of Indian Classical
Dance offers prayers to some God they consider appropriate.
Gauri Jog and her troupe is offering prayers to Lord Ganesha.
This is based on the popular Marathi song “Sa re ga ma pa…”
sung by Usha Mangeshkar.
Kathak Elements
This is another example in which girls who are learning Kathak
for the past 2 to 3 years perform Tarana. Also they display
various Todas, Tukadas, Paran etc.
Thumri
Thumri (Devnagari: ठुमरी, Nastaliq:ٹھمری) is a common genre of
semiclassical Indian music from the North. The text is romantic
and devotional in nature, and usually revolves around a girl's
love for Krishna. The language is a dialect of Hindi called
Braj bhasha. This style is characterized by a greater
flexibility with the rag. Most commonly used rags are Pilu,
Kafi, Khamaj, Tilak Kamod, Bhairavi etc. The compositions are
usually set to kaherava of 8 beats, addha tal of 16 beats,
dipchandi of 14 beats or jat of 16 beats. It arose in
popularity during the 19th century in the Lucknow court of
NaWab Wajid Ali Shah. At that time it used to be a song sung by
courtesans accompanied by dance. The dance describes the onset
of spring and all the joy and colors it brings. Everyone is
dancing joyfully while decorating herself for the benefit of
Lord Krishna. It is set to a cycle of 6 beats in Tal Dadra.
First Year Kathak
“First Year Kathak” – this video shows sample of lessons
learned during first year of classes. The emphasis here is on
learning basics of Indian Classical dance – taal, teen tal,
basic cyles, body movements. The music is composed & sung
by Gauri Jog.
Second Year
Kathak“Second Year Kathak” – this video shows the progress
made by dancers who are learning Kathak for about 2 to 3 years.
The dancers are taught expressions, co-ordination of hand and
body movements, co-ordination with other dancers, strong and
fast footwork called “Tatkars” and fast spins. The music is
composed & sung by Gauri Jog.
Classical Kathak with other dances
(Fusion)
Kathak with Flemenco Music
"Flemenco", the spanish musical dance and "Kathak", north
Indian classical dance go very well together. Both are very
melodius and rhythamic. This video demonstrates use of Flemenco
music in Kathak. The flemenco music is very suitable for Kathak
since both the styles give emphasis on music, footwork,
expression.
Kathak Bharatnatyam
“Kathak-Bharatnatyam Jugalbandi” is a traditional Indian
dance form in which two or more dancers perform different
styles of dances using the same type of music. In this dance
Kathak is performed by Gauri Jog and Bharatnatyam by Anuya
Wagh. This dance was performed to depict the fight between
Queen of Jhansi and British.
Kathak with American Ballet
We try to seamlessly integrate American Ballet with Kathak.
This gives many girls from US who are learning American Ballet
to learn about Kathak.
Kathak with Jazz
Jazz is a musical art form that originated in New Orleans,
Louisiana, United States around the start of the 20th century.
Jazz uses improvisation, blue notes, swing, call and response,
polyrhythm, and syncopation. This music is a perfect compliment
to performing Kathak dance. Choreographed by 11 year old, my
student.
Kathak with Bharatnatyam
Jugalbandi (literally "tied together"), is an ancient Indian
art form where two musicians with different instruments or
styles perform together. Lately, it has been popularized to
mean combining various dance forms. Here is example in which
Gauri Jog is performing with another Bharatnatyam dancer.
Krishna Nee Begane Baaro
Krishnaa Nee Begane Baaro is the one of the most famous
classical songs composed in the Kannada language. It was
composed by Vyasaraya Tirtha in Raag Yamunaa Kalyaani and
chappu Taalam. Gauri Jog is performing this dance with another
Bharatnatyam dancer to show universal divinity that transcends
the basic man-made barriers of religion. It is a fervent prayer
in this age of hostility that begs to unify all human kind.
Kathak with Bollywood Music
Bollywood Medley
The stylistic dance movements of Kathak, though classical in
origin, fit in very well with the ever-popular film music. So
much so that it makes very beautiful viewing when the steps are
included in the choreography of the typical foot-tapping music
of the Indian cinema. One such example of this fusion is the
Bollywood medley that includes three popular film songs.
Kathak with other
Music
Dance of the Birds
Kathak is basically a dance form that has foundations in
story telling and mime. Set to music, it translates the many
moods of nature. Expressing the elements of nature in dance
form is an exciting journey both for the performer and the
observer. The Dance of the Birds is such and expression. The
joy and freedom of expression in this piece is certainly
infectious!
Dol Dol Sagar Ki Lehere
Air, water, earth, fire, and ether, these are the five
elements in nature. Each has it’s own characteristics and
personality that can be beautifully depicted in dance. The
song, Dol Dol Saagar ki Leheren, describes the joyous rolling
of the ocean waves. It depicts the beauty and tenderness of a
charming day by the seaside with a balmy air, the rolling
waters, and the majestic mountain scenery. This dance also
includes a shloka (or verse) from the Atharva Veda describing
our beautiful earth and the five elements.
Discovery of Fire
The dance, Discovery of Fire, depicts how one could have
accidentally stumbled into the discovery of this magical
element, "Fire" in one of the dwellings in the Paleolithic
era.
Kathak with Folk Dancing
Lavaani
Each state of India has its own repertoire of
folk dances. Lavni is from western state of Maharashtra in
India. The word lavaani is derived from laavanya, which in
Sanskrit means beauty. But this
song-and-danceextravaganzaoriginatedat temples. Gods, more
than men,`A0needed to be pleased with music, dance and
other arts. Lavaani was used as a form of entertainment
and morale booster to the tired soldiers during the 18th
and 19th century Maratha battles. Many famous Marathi
poets like Honaji Bala, Ramjoshi, Prabhakar, etc.
contributed to the popularity of lavaani. As the nau-vari
(nine-yard saree)-clad lavaani dancer tosses her head
sideways and gives a naughty wink, whistles and catcalls
from the male audience increase. This form shown is a
Khadi Lavaani performed on stage and it involves a lot of
footwork with dance or nritya playing an important role.
Songs are sensuous in nature with symbolic descriptions of
female body and the man-woman relationship.
Lezim
Another folk dance from Maharashtra. This dance is performed
using a Lezim or a small mallet. It is a fascinating dance
performed in the formation of a circle, in twos or fours. The
accompanying instruments are the drums. It involves a lot of
stepping, hopping, bending, squatting, etc. to the perfect
timing of the strikes of the Lezim. A large group of boys and
girls doing Lezim dance presents a beautiful sight while the
Lezims strike rhythmically in perfect unison.
Thali Dance
This dance was originated in Orissa and Andra Pradesh and
performed by "Devdasis". It involves dancing on the rim of
brass or steel plate. Standing on the sharp edged rim of a
large brass plate while performing Kathak to the dance rhythm
demands perfect concentration, prolonged and continued practice
besides physical balance. Watch these 9 year olds are
performing after 2 months of practice.
|